However, this does mean there's some overlap. Flangers tend to top out at about 25ms, which is where chorus takes over. There's a complicating wrinkle, however – chorus is in many respects similar to flanging, except with no feedback control and a longer delay line. Our pick of the best distortion pedals for guitarists.Add extra flavour with the best overdrive pedals for guitar.By increasing the mix of the effect toward fully wet, a chorus typically crosses the line into vibrato, with an even more pronounced detuned pitch effect. This is then blended back with the dry signal. Solving some of the volume and noise issues of the original, it's probably the best stereo chorus ever made, and the fact it includes an emulation of the rack SDD-320 just makes it sweeter.Ĭhorus uses a delay line to split your guitar signal into a ‘dry’ and a duplicate ‘wet’ signal, then an LFO subtly detunes the wet part. Should you not need all the modes, then you'd be better off with the Boss DC-2W reissue. Granted, there's scant by way of bells and whistles, but if any guitar player could show you that less is more, it's probably Kurt.Īt the other end of the scale, and budget, there's the Boss MD-500, which will cover off all your modulation needs, for good.

It sounds good, records well, and nails that Kurt Cobain sound. Best chorus pedals: MusicRadar’s Choiceįor a budget chorus, you can't go wrong with the Electro-Harmonix Nano Clone. Whether it's for adding movement to ambient parts, or thickening rhythm guitars, chorus has once again become a staple of many guitarists' pedalboards.

In the 2000s, inspired in part by the return to popularity of C86 and shoegaze sounds, the chorus pedal came back into fashion again, with Chase Bliss capturing the mood when they launched their brand on the back of the brilliant Warped Vinyl chorus pedal.

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